Döpple Me This.

I feel like my most recent posts could have seemed complain-y. I think folks who know me or at least get me understand I’m a verbal processor, to which this exercise contributes.

Not to mention it spares my friends a lot of one-sided ranting about nothing.

People who know me will also understand that I notice patterns. Not in a full Rain Man card counting type of way. it’s more of an I did well on those standardized tests in school we used to have to take when graduating and going to a good school was a parent’s dream for their kid. Now, I think parents are happy if their kids finish their school career with a pulse, but that’s another blog.

So, anyway, when I notice things, I like to talk them out. Especially when it’s something inherently annoying I notice someone doing. And then someone else. And someone else.

Nonetheless, I felt it was time to show a little less attitude in a post and a little more gratitude.

Or…maybe I could do both!

If you’ve read this blog over the past year, you’ll be happy to know that the 2022 streak of free live music has carried over into 2023. It’s actually expanded slightly.

2022 actually ended with a show I was excited to see – Modest Mouse – ending up being really awful. It’s so much of a disappointing memory, I was ready to go back to not bothering with live shows.

Then I remembered that I’d won tickets last November for a show in March of this year and felt really conflicted about not using them. On the one hand, it was someone I’d never heard of, Unknown Mortal Orchestra. On the other, I’d seen some free shows for bands and acts last year I’d never heard of that turned out to be great experiences: Tigirlily Gold and Noah Kahan to name two who have gone on to have quite a year.

Between Modest Mouse and UMO, there was a lot of gratis ground to cover! From kicking off the year with a free Literary Arts lecture as a stand in for a traveling friend, to The Lone Bellow (amazing), Daniel Seavey (left because he was an hour late), Vance Joy (insanely good, really wished he’d played more than 3 songs!), Inhaler (I was offered ear plugs, these guys absolutely ripped it up) and then bookending my free live music with a private screening of the new Matt/Ben movie Air, which was just a lot of fun for the hometown connection.

But my favorite show of the year – I’m going to say “so far” – was The Dandy Warhols.

A) Because they are also a local Portland success story. B) They were doing something unique, playing with the Oregon Symphony. I’d seen other acts I love do this, but never an alt/punk act. It doesn’t lend itself to orchestra accompaniment as well as some of the adult contemporary or singer/songwriter acts I’ve seen do this, but the more die hard fans didn’t seem to mind some of the more dissonant moments of the show that I didn’t care for. C) Zia McCabe had a Chris-near-miss a while back.

And when they performed what is arguably their biggest hit, they absolutely killed it. Old people were dancing in the aisles – and it was particularly dangerous because these are sloped theater aisles!

Sidebar: a song by one of the last acts I saw at the KINK Live Performance Lounge just came on the radio – Inhaler.

If he looks familiar, it’s because his dad is kind of famous, too…

If you closed your eyes, you’d have sworn Bono was right there in the room. I’m sure he doesn’t love that comparison, but it thrilled me. I hadn’t seen U2 perform in decades and never in an intimate setting like this, obviously.

But back to the story. My favorite thing a bout seeing The Dandy Warhols was my arrival.

I actually won the tix – don’t worry, I went alone even though I won a pair – while I was driving around one night and one of the DJs, Gustav, did a call in interview with Zia about the show. Afterward, he pulled the whole, “If you want to see the show, gimme a call” thing, so I did. And the son of a gun picked up!

So my tickets were at Will Call. I go up, they’ll the guy my name and he hands me my envelope – and then says, “Hold on a second, there’s another one!”

I thought it weird that they would put the tickets in separate envelopes, but whatever. I’m opening my envelope as I head to the GA stairs – because a friend of mine told me free tickets are always in the nosebleeds and I believed it – and there’s two tickets in the envelope. And they aren’t nosebleeds…they are Orchestra! Score!

I open the second envelope once I get to my seat, curious about why there were two envelopes with my name at Will Call. My guess is that it was just a duplicate. But the tickets are different seats. Also Orchestra, but a few rows closer to the stage. I’m sitting in U and I think the other pair was on the other side of the venue in row R. I muse that I could move at intermission and get an offset stereo experience.

Then my neurotic ass chooses to feel guilty that Gustav had put my name on someone else’s tickets and they were gonna be left high and dry at the door. This is also when the orchestra starts walking out into the stage.

I’m conflicted. I’m also wondering if someone else would arrive later than I to an event like this – most of the shows I win tickets to are at General Admission venues with no seats, so I just go at showtime and miss the standing around alone part of the show. Then I notice something different about this pattern of tickets for me:

Do you see it?

My tickets for the seat I was in said $0 – truly comp tickets. The second set cost $49 apiece. My neurotic ass kicks into high gear, worrying that I derailed someone’s date night. Surely someone wouldn’t arrive later than I do to an event on a date!

That all comes to a screeching halt when I realize that maybe there’s more than one me in Portland.

It can’t be, I think. Last time I checked, there was only three men in the entire country. Me, Chicago me and Tennessee Me. Or was it Kentucky? Doesn’t make much of a difference at that particular point…it’s splitting a fine hair.

Mind you, this was back in the days of MySpace that I was looking up myselfs.

Clearly, it was time to look into this further.

LinkedIn found another me right here in Portland –

That’s weird.

Also, this guy in Oregon City, courtesy of The Knot –

So in a moment (and 20 years, give or take) I’d gone from being one third of the mes in the country to being one third of the mes in my hometown!

I felt about as unique as a Pitt in Neosho, MO. And since one of these guys sounded pretty well compensated from his LinkedIn profile and the other I learned about from a wedding registry site, I felt a lot like the lesser Pitts in Missouri – less successful at life.

Well, shit.

Suddenly I was less concerned about possibly disrupting someone else’s date night. I kid. I was still worrying about that. At intermission I tried to see if those other seats were occupied, because I know people get email receipts and theaters can reprint tickets – and they weren’t. Maybe they’d gone to the bar.

I’ll keep on keeping my eye out, too. I’d hate to be the last of Me to find out this was a Highlander situation…

Döpple Me This.

My Type of Double-Header

Don’t make it dirty. I know that’s hard if you’re at all fagmiliar with my shenanigans, so I don’t blame you.

Maybe I should title this Bookends? Nope. That doesn’t work either.

And really, this turns out to be a surprise triple-header, anyway – if we carried the analogy through to the end. Does that ever happen in sports? I don’t know anything about it, really. I went to a double-header baseball game last summer, but that was just for my dad…and after a couple innings, meh.

Boys in stretchy tight pants only go so far as far as my attention is concerned. It’s like, how many times do you want to consecutively have the same thought as Bill Murray in Caddyshack?

Wow. I’ve wandered rather far afield. Shocker.

What was I saying?

Oh, yes. The double-header.

A couple months ago, my local radio station got a new DJ – Iris. She does the 8-midnight. At 9 pm she does a new music feature where listeners are encouraged to give it a thumbs up or down vote and maybe you’ll win a pair of concert tix for your effort. This particular night she was giving away Barns Courtney tickets at the Wonder Ballroom.

While I was there, I decided to enter my name into the guest list drawing for the band’s appearance in the station’s Live Music Lounge, figuring my chances of being one out of ~100 winners was better than the one out of one winners for the show at the Wonder.

Remember, this is all happening against a backdrop of the country losing its mind over a Powerbottomball jackpot that built to $2.04B, so odds and chances were on my mind.

Well, a day or two later, I get an email from the station.

That’s right. I was the one of one winner!

And if the title hasn’t clicked into place yet, a couple days later I got the email telling me I was on the list for the lunchtime show in the Live Music Lounge, too!

Double-header!

Well, the on-air talent that hosts the events in the LML usually warm the crowd up with a little trivia, prizes are…concert tickets.

I wasn’t particularly interested in the first couple bands because I don’t really know them. The Barns Courtney show was enough adventure in expanding my musical palate since I couldn’t name a song of his off the top of my head. I always like them when I hear one, but it’s just not in heavy rotation. Musically, I’d put him somewhere between Cage the Elephant and The Heavy.

Unintentional entendres.

The third question offered tickets to Arcade Fire, which is a band I’d love to see…but it’s in Shittatle. But the fourth question offered an opportunity to stay home and see a great hometown band: Modest Mouse. So up went the hand, and – thanks to my knowledge of arcane news from New Mexico circa 1947 – I won.

The answer was a weather balloon incident, by the way.

Turns out, they would have also accepted alien crash-landing, but c’mon.

Then it was showtime.

These guys took the stage and I found out that they don’t fuck around.

Barns Courtney came out last wearing all off-white, down to him platform boots. Even the sunglasses, long beads and scarf he accessorized with were off-white. Only the (hopefully faux) fur betrays the color scheme – but it really brought the outfit together.

This guy definitely dressed like a rockstar. And his mouth looks like proof that somewhere Steven Tyler’s or Mick Jagger’s blood line has mixed with Carly Simon’s.

This is a small venue. Smaller than small. Barns Courtney filled the space with his persona.

Physically, the stage barely held the four of them and their drum kit and took up an entire wall of the room. In Barns Courtney, apparently if you don’t play drums you’re required to play guitar – so add three of those to the mix.

Seriously, this is at least 20% of the space –

This band is everything you want from a rock band. Literally, sex (look at them), drugs (you had to hear the interview to understand) and rock-and-roll (obvs).

Here’s a dump of the other pics I snapped during the show.

I have to say, this five-song set left me both sated and ready to finish out my work day and eager to see what they could do in a full venue. As showtime drew nearer, I debated not going to the show. I had a friend lined up to go, but they’d backed out – no doubt for a chance to get dicked down if their current track record is any indication. Indickation?

There was another friend who’d accepted an invitation I hadn’t extended who I knew was disappointed to not be going, but I just opted to go alone. I’ve been in a weird space lately anyway, so being in a crowd was likely going to overwhelm my tolerance for people without adding in the feelings and needs of someone I know.

I forced myself out of the house. First the the local watering hole for a pre-show drink. I shocked everyone there by closing out when my beer arrived, which only made me want to stay. But I’d had my motivator-slash-reward, so across the water I went, entering the venue about 815 for the 830 show.

An opening band. Who knew? I was not expecting that. I honestly didn’t think Barns Courtney was big enough to warrant an opener. So that was my Today I Learned moment.

They were a foursome of kids from Oakland. I mean kids – I swear they weren’t old enough to drink, even though I also swear I saw one of them tipping back a beer as they broke down the stage after their set. He was also doing it while carrying the pad from under his drum kit under one arm and the stool he’d been seated on, which had a water bottle balanced on it.

That right there is a dexterity that barely outlasts one’s teen years: first you’re all gangly and uncoordinated as you recover from your puberty growth spurt, then you’re running around doing impossible feats that lead to the words “Hey, watch this!” escaping your mouth and then you’re dead. Either because your last words were “Hey, watch this!” or you hit 30 and life is figuratively over.

Anyway, these kids were surprisingly good for an opener. Kinda a one-key sound, but the drummer and guitar players put on a show to offset the lead singer’s narrow range. I’m not complaining, that one-key was reminiscent of some Deathcab/Postal Service songs.

Nothing to complain about there.

But the highlight of their stage presence – and further indictment proof of their youth was the statement “Thanks to Uncle Kevin for letting us stay at his place tonight”. These kids aren’t even old enough to rent a hotel room. Haha. Ha.

Then the headliners room the stage.

Well, first their stagehand spent 40 minutes dicking around with equipment, making sure everything was just so. Their name – intentionally keeping pronouns neutral for them, dressed masculine-ish, but if I learned anything from Shakira, it’s that hips don’t lie – is Sexy Patrick. I’d been introduced to them at the afternoon show when they brought out a guitar for Barns Courtney and picked up their discarded sunglasses from the stage floor and got a load of what I hope was good natured teasing. Sexy Patrick demurred the attention, but it’s hard to know why. The nice thing is that you got some insight into the process behind putting a show on. Maybe I shouldn’t refer to it as dicking around, but I was getting a little antsy as the venue filled up with people who apparently knew there was an opening act. I had chosen my spot intentionally.

I think it’s there so people don’t accidentally get pushed down the stairs right there. Maybe it’s there to provide grumpy old men like me a place to stand alone amongst strangers – without being too amongst. Who knows?

For the second time that day, I watched Barns Courtney take the stage for a show. Well, the band took the stage. Drummer and the two guitar players proceeded onto the stage and settled in. As soon as they beat out the first couple of notes, Barns Courtney exploded onto the stage. Seriously, from behind a curtain at the back of the stage, he leapt in a seemingly blind fashion onto the stage.

“How does he do that without falling?!?” – Me

It’s not accurate to say that this was the least dangerous thing he or the band did all night, but my curiosity for how or what they could do with a full-sized stage was definitely answered over the next 60-plus minutes.

And I’ll tell you now that my camera skills are not fast enough to catch the antics. As if the quality of my photography didn’t make that obvious. I did manage to catch one of the guitar players on top of a speaker, though.

It doesn’t come through as well as when they were both on speakers at opposite ends of the stage. Or when Barns Courtney stood on the drum kit. Stood. This was a sustained position, not a hop up and get pulled back down by gravity moment. He maintained position until he was done with his musical moment and then leapt back to the stage.

In platform boots.

Pretty amazing showmanship from these fellas.

They’ve got the talent and presence to have a long career together – like the potential father of the lips bands. But who knows what the future holds? I don’t see 20-something musicians (or any Gen Z-er) having the discipline to maintain a lifelong relationship of any kind, even if it involves fame and fortune. But I’ll definitely remember these shows for a good long time.

I’d had a good enough time, and even though I’d gotten Doris Day parking – I was ready to go. I’d heard every song I thought I knew, so I started heading for the back when what felt like the final song began. I don’t know if they did an encore or not – but I had to stop in spite of my grumpy old self before I hit the doors just to appreciate how this guy whipped his audience up.

I don’t see how this larger than life persona could be brought to you by anything but exactly the right amount of cocaine – but I’m glad o got to witness it.

Twice.

Two weeks until Modest Mouse – with a potential for a short set by Noah Kahan next week in the Live Music Lounge. I’m eager to see how this year of mostly free entertainment wraps up!!

I know. Me…excited about life.

My Type of Double-Header

Incredible Fortunes.

You ever wake up and just briefly consider the reality of your situation could simply be that Pam Ewing is really out there somewhere, dreaming nightmare versions of people’s lives?

To refresh memories or fill in pop culture voids…Pam Ewing was Bobby Ewing’s wife on Dallas. No, the original version. Season one ended with Bobby being killed. Season two was a shit show and season three started with Pam waking up to find her husband showering after a particularly vivid dream…of the entire second season.

The audacity!

Or that maybe you are her, and one morning you come to wake up to find that the worst was all in your subconscious?

Absolutely insane. It was almost enough to wipe our collective consciousness clean of Fonzi jumping a shark on water skis. Almost.

Anywho. I swear that’s me lately. And, frankly, I don’t know why I haven’t made time to buy a lottery ticket.

This life that I deride and take for granted…well, it’s serving me constant reminders lately that while the bad stuff may not be going on in Pam Ewing’s dreams, it’s not the star of The Xtopher Show that I call my life.

Cases in point:

I think I mentioned I was going to another free concert a week or so back. I was incredulous to have notched another free pass onto my 2022 entertainment belt.

And it was incredible…despite a rocky start.

The Shins were playing two shows downtown and I had won tickets from a local radio station. I had said I wanted tickets to the Friday night show, giving them Thursday night to warm up. I got my winner’s waiver the Monday after winning my tickets and was told further info would follow. It did not. Well, by the day before the show, I finally double-checked that I’d submitted the waiver correctly and then sent an email to the station that I’d won the tickets from using the “contact us” link on their website.

Several hours later, at around 2:30, I got a BCC email from the station saying “Congrats Winners!”, leading me to believe someone was having a really long Monday at the station. It went on to tell us that our tickets would be at Will Call and the gates were at 5, show at 6…that evening.

My mental needle skipped.

Luckily, I live about 9 blocks from the venue. I worked until 4:45 and then set out on foot for the show.

Turns out, the venue is all General Admission. Still, when the guy asked if I needed both tickets – after watching me walk up alone and casually scanning my area as he went through my info – I said “Yes”.

What? I wanted them both. I was definitely going to find a way to take up two spots in GA. Plus, that was just rude, right? It’s not like I had a bogey hanging out of my nose and he asked if I wanted a Kleenex. No, this was him rubbing my nose in my solo-ness. Boo, sir.

Because it’s Portland and this venue is a public plaza when it’s not a venue, there were food carts on the periphery of the fence. I hadn’t eaten, so I grabbed a huge sandwich for $12 and a 16 ounce beer for the same price. That amphitheater where I saw Styx can shove it’s $18 beers right up it…area.

I sat on the brick wall at the back of the venue and ate my sammie and drank my beer while the opening band did its thing. It was another Portland band (I know, The Shins are from New Mexico, but they’ve been in Portland long enough to be called locals) named Joseph. Two sisters with a third woman make up the band named for the Oregon town the sisters’ grandfather was from. I’d heard a couple of their sons on the radio before and liked them, but their 45 minute set was amazing. It’s really just guitar with the sisters’ amazing vocals and that’s it.

I was so mesmerized that I barely noticed the Guy Candy that was obviously hitting on me sat right next to me to nosh on his own sando from one of the carts.

Joseph’s set ended and the roadies started prepping the stage for The Shins. I figured I better grab another beer and stake out a place to take up two places near the stage. While I was in line, a true Portland weirdo native offered me a picture of her cat out of the blue.

My guideline when dealing with Portland’s kookier kooks is “humor them, they might be dangerous”, so I took the proffered pic. It’s now hanging over Myrtle’s food station, just to keep her on her toes. A reminder that there are other cats in the world – versus mine, who seems to believe a week isn’t complete without at least one protest poop or other non-litter box evacuation.

This was me, sipping my fresh beer in my taking-up-two-spaces space by the stage; reflecting on the Guy Candy, the Crazy Cat Lady and watching the sun set while nervously eyeballing the 20,000 crows flying around looking for a place to roost when someone tapped my shoulder.

No, it wasn’t Guy Candy guy. I’m lucky…but not that fucking lucky.

It was Sarizzle, someone I’d worked at Sur la Table with when I lived in Shittatle. I ran the market’s hero store in Kirkland (yes, it’s a real place!) and she ran the original store in the Pike Place Market. I knew she’d moved back to our mutual hometown, but we’d never managed to connect. Just two natives catching up on social media now and again. We hugged and caught up in real life a bit – while I behaved awkwardly because I was still in all my WFH glory and now turn into that person who runs into people they know wherever they go. Eventually, she said her goodbye to go back to her husband as the roadies started wrapping up and the stage hands started turning instruments.

Actually, after running into not one, but two groups I knew at the Bonnie Raitt show…maybe I am one of those people who runs into people I know figuratively everywhere I go.

Not long after Sarizzle left my to my own devices, The Shins took the stage and didn’t give it a rest for about 90 minutes. Their music has a pretty chill vibe, but the lead singer’s voice is haunting, something I figured was a product of some sort of modulator. I still think that, but was impressed that they were able to replicate it in real life.

Their set was so good that for about the first half, I was convinced at a minimum the lead vocals we lip synced. Joseph had come out to sing back up after the first few songs, so I knew it wasn’t the whole setup, but just how was it possible to recreate the lead singer’s otherworldly vocals?!? I enjoyed clicking off the hallmarks of live music that occurred in the set to disprove my suspicion that the lead was dubbed. Just crazy little tics, like singing toward Joseph at the back of the stage and losing the mic’s pickup briefly – nothing too overt.

I enjoyed watching the crowd really get pulled into some of their bigger hits and take over the heavy lifting of vocals or just get caught up in a call and response with the band.

But I’m a native Portlander and I go to shows to watch the show, not be a part of them. To that end, I stood there and tapped my foot, swayed a little and clapped after every song. That’s it. A true Portlander would never risk diminishing someone else’s experience by being overly enthusiastic. I’ve actually been to some fantastic shows where virtually all the crowd did until the end of the show was sit there and clap between songs.

Playing Portland must be an interesting experience for musicians. Well, not as weird as it was back in the day…there’s so many transplants now that the overly polite Portland crowds have been somewhat diluted. Sarizzle and her husband eventually crept closer to the stage and I saw her being true to our concert-going DNA, too. Her husband would occasionally throw an arm toward the sky or do that rhythmic hopping that people do at concerts, but she was doing pretty much the same low key sway in place as I.

The tour was basically a 21st birthday party for the band’s first breakout album, and they played it all, with a few extras sprinkled in here and there. At one point, the band riffed on Rod Stewart’s Do You Think I’m Sexy for a few lines between songs. Just, out of nowhere fun – for them as much as us. No one knew where the idle strumming was going until it careened into that pleasant little surprise.

Another fun moment happened during the encore – unlike Bonnie Raitt, I stayed for this one. No dogs to walk, no parking mess to get ahead of, so I just stayed and watched them completely blow the non-existent roof off of Pioneer Courthouse Square. The next little fun nugget was working a couple refrains of Tom Petty’s American Girl into the middle of one of their songs. I didn’t recognize the song, but I was definitely in the minority.

The following Sunday, I had to set an alarm to wake up and drive out to Hood River – by far the more scenic piece of our wine country. Little Buddy had two tickets to an event at one of their wine clubs called Reds, Whites and Blues. No, we haven’t started making blue wine in our notoriously blue state – the event featured a blues band to listen to whilst stuffing your face with BBQ and sipping on the vineyard’s reds and whites – not in that order.

Sadly, her husband, 2.0, had been tapped for a two-week trip to Germany for work and had to leave that morning, so Little Buddy had a – wait for it…free ticket. Fuck yeah, I went! I even set an alarm to make a day of it – we got a hike in before the event, which was just idyllic.

They set up the event beneath oak trees that are hundreds of years old in the middle of their vineyard and we drove up, parked by some vines and sat under those trees stuffing our faces and listening to blues in the middle of a sea of vines. Not even a barely visible Mt Hood through the smokey haze from our minimal forest fires could dampen the epicness of being immersed in such gorgeousness.

I’d love to sit around and let more of these experiences wash out of my memory and into my blog, but my drinking buddy’s buddy backed out of their plans to go to The Doobie Brothers show tonight this past Thursday. Luckily, I was sitting a barstool away when the text came in, so I’ve got to get ready for another show.

Another free show.

Second row from the floor on the stage side of the second section from the damn stage. It is going to be…epic!

Incredible Fortunes.

The Year of FREE Music

No, this is not a nostalgia post about my Columbia House membership.

Whilst working from home yesterday, I was planning out my weekend. The focus was getting my weekend blogging goal back on track as well as my exercise regimen – which has been off track since my vacation. Add into that the Silver Fox’s return to town. And this is still on top of wanting to maintain my regular weekend misadventures.

But it was also Flashback Friday on my local radio station. Back when I was living that #LyftLife that meant I listened to the weekly Party Out of Bounds radio show from 8-midnight while driving Friday nights.

All 80s and 90s music for four hours? Yes, please.

Now that I’m living the WFH life, I listen to the morning show until 10 Monday-Friday and maybe switch to a pandora station later in the day. But on Flashback Friday I might put in a little longer on the show because they give away tickets to upcoming live shows from 80s and 90s bands every hour.

I’ve set my limit at 5 calls per hour, if I’m able to call when they throw it out. Sometimes I’m on a Teams or Zoom call and can’t.

It’s fine. I’ve already won seats at their free in studio performances twice this year, so if I miss out, I’m still having a pretty good live music year. Some of the shows though…Jane’s Addiction, Garbage, Crowded House. There’s about five shows to choose from each week at a variety of venues: The Moda Center (where the Blazers play), Edgefield (one of our larger outdoor venues), Crystal Ballroom (if you wanna experience a concert on the third floor of a hundred+ year old building, this is your place – and let’s hear it for feeling the floor move beneath your unmoving feet!), or Pioneer Courthouse Square (aka: Portland’s Living Room).

Moda Center
Inside the Moda during concert mode
Edgefield – looking back from the 4th row. More on that in a minute
Crystal Ballroom – home of the “Floating Dancefloor”.
Pioneer Courthouse Square from the air…or an office tower across the street

I’ve been to shows at all of these venues over the years, but my attendance was stagnant recently – pandemic closures notwithstanding. I’ve been to Moda many times, including Fleetwood Mac on three separate tours. I saw Everclear back in the late 90s or early aughts at the Crystal and was “recently” (aka: five-ish years ago!) invited to Echo and the Bunnymen there. Pioneer Courthouse has a couple different summer music events each year. The first is just a “Portland is awesome” type of thing…a free Lunchtime Concert Series every Thursday at noon. Back when our downtown had businesses operating in it, people would throw open their windows in the neighboring non-skyscraper buildings to lean out an watch. People on the streets would be drawn to this packed city block brick plaza. I’ve seen several shows there, too. Notably, the Indigo Girls back in the 90s and I was sad to miss their return to this venue this year. There have also been a couple of community concerts featuring our local Pink Martini to mark holiday tree lightings or punctuate a local event – like a protest concert or to honor the life of a colorful former Mayor.

This is our former Mayor, Bud Clark. I missed his memorial at Pioneer Square, but if it was half as entertaining as he was…

Which leaves us with Edgefield out of the venues listed above. It’s a 7000 “seat” outdoor venue at the edge of town, owned by the same family that owns the Crystal Ballroom, so the music gene is strong. The official name of their music program is Edgefield Concerts on the Lawn…hence the apostrophes around the word seat earlier. I’d been decades ago when it first opened. It was fun to go and cop a squat on a patch of grass with a date or maybe as a foursome with another couple.

But that was decades ago, and my lawn squatting days are behind me.

Enter my drink buddy neighbor. He’s kind of my spirit animal for having a life as a single old man. I don’t know why this eludes me so. I think it might partially be a willful ignorance on my part. It was only a few – ok, closer to ten than five – years ago that I regularly wrote under the blog theme I called the Yes Game. Now I’ve got Jessla fresh off her divorce and recently moved back to the city from the coast talking about her Year of Yes as well as my drinking buddy reminding me that life is meant for living, not waiting for the end.

Anyway, my drinking buddy has adult children with a couple of grands that keep him busy, which is a resource I don’t share. Outside of that, which is plenty for most people, he also has this great life of solo adventures that have inspired me recently to do more than just carouse my way to the grave.

He’s the one that invited me to the Loverboy/REO Speedwagon/Styx show a couple months ago. That, in turn, motivated me to not be resigned to the sidelines of life. I remembered when doing things alone was a source of empowerment for me when I was younger. As I’ve aged, I’ve avoided that source of power while eschewing the source of one of my biggest frustrations: people.

It was good to be reminded that I can do both by planning strategically. While it will take a lot to get me back to the Moda Center for a show, post-pandemic. It was the show that I lucked into last week at Edgefield that highlighted the reality I’d been missing out on.

My drinking buddy ended up triple-booked on a Friday night: a family thing, a Timbers match (he’s a season ticket holder) and a show at Edgefield that he’d been raving about for weeks. It was the last-minute realization that he had a match that Friday and the laster-minute family thing that ended up with me being gifted his tickets to the Edgefield show.

To Bonnie-freakin’-Raitt, no less.

I couldn’t possibly say no! Even though I’d already said yes to walking the Silver Fox’s pooch while he was at the same show. And yes to walking Jessla’s dogs while she was out of town for the weekend.

On top of having a lunchtime doctor appointment…this was going to be quite the Friday. So at lunchtime I put my Out of Office on and hood it over to my doctor. That runs late, so I go right from there to Jessla’s pups afternoon walk. I’m back in my chair just before 130. At 430, I set my status to offline and head up to Jessla’s for a quick pee walk and dinner for her pups. Then I hop in the car and head east to Edgefield.

Did I mention that this free seat is in the 4th row of Reserved Seating?!? But I still have to wait in line with all the picnickers before the show starts at 630, thanks to this post-9/11 mass shooter gun violence world in which we live.

Getting 7000 people through metal detectors takes a minute. Factor in Bonnie pulls a Boomer crowd and you’ve got a real shitshow of a line scenario.

The venue is up there in that stand of trees, this grass will soon be covered in cars

The Fox had been insisting my seats were good, but the seats he had in the Sponsors Section – courtesy of his nephew, owner of Wyld, a cannabis edibles manufacturer – were better. Well, they came with reserved parking and free tacos and drinks, so he was partially correct. Otherwise, we both learned that they had moved the Sponsor Se ruin sometime in the past couple of decades. Here’s a view from my not-worse-than-his seat.

He’s under that white tent…

But that reserved parking was legit. After standing in a line for 45 minutes, what was I finally greeted by when I was able to branch off the mainline to the two measly metal detectors dedicated to Reserved Seating ticket holders?

I’d know that snow cap anywhere. He hadn’t responded to my bored-in-line inquiries about his whereabouts. Probably because he was driving out so he could walk right up to the Reserved Ticket Holder’s entrance. But it amused me – while I was ignoring my darker inner thoughts that he’s seen me and was ignoring me – that he was so focused on the venue that he didn’t notice me until moments after I sent this…

Remember the basement scene in Silence of the Lambs where Bill is reaching out in the dark behind an unsuspecting Clarice?

Anyway, we were both entertained by his level of surprise. A phenomenon I would repeat as I beat a hasty retreat during the encore to get back to Jessla’s pups for their evening walk and ran into the Fox’s former partner’s parents – with whom he’s still friends. The dad was wearing his Timbers jersey, showing support for his team as a season ticket holder since he’d made a different decision than my beneficiary. So we got to chat a bit until we made for our separate grassy parking spaces – turns out, they left early to get home to their dog, too. Since it’s an outdoor venue, I put down the windows and opened the moonroof to listen to the encore as I queued up to exit the lot.

I’m not the guy who runs into someone I know everywhere I go. I’m always the guy with the person who runs into someone everywhere there go. Seriously, it happened at the top of the Eiffel Tower. But in between this happening to me twice in one night, I saw an incredible show. A week later, I’m still in awe.

Mavis Staples was the opener. Let me tell you, at 83 this woman is absolutely killing it. She’s not tall enough to have ever ridden a roller coaster in her life, but onstage? Well, let’s just say that you can’t miss her – even though it was a good minute or two before I saw her head because it was behind a mic-mounted iPad.

What? I didn’t see her take the stage because I was getting a beer! The McMenamin’s brothers started out as beer makers, not concert promoters.

I watched Mavis in awe. Her band and back up were amazing on their own, but in no way making up for any diminished capacity in Mavis’ talent or skill. She might have had to sit down a couple of times during the set – 83 years old! – and the band didn’t lose a beat, but when she was ready to come back, she let ‘em know that the stage was hers again.

I will never not think of this performance when I hear a cement mixer’s engine idling while its tumble turns. That a voice that big comes out of such a small human. Epic.

If that was all there was to this show…it was still a bargain at twice the price. But wait…there’s more!

Bonnie-freakin’-Raitt!

In my concert-going career I’ve been to myriad shows. Folks touring to promote a recent album, storytellers on tour, spectacles of a show that hid lipsyncing artists, intimate venues, stadium tours, has-beens on the State Fair circuit, perennial favorites, career touring acts…and much, much more!

And it’s not like those options are mutually exclusive. It’s more of a Venn diagram.

I’d always thought of Bonnie as a storyteller on tour given my knowledge of her history touring with the likes of Lyle Lovett and John Prine. In this instance she was that storyteller on tour, touring to promote a new album and perennial favorite. I wasn’t super-excited to learn about the new album since that usually draws focus from the library I’m familiar with. For someone whose first album came out 50+ years ago, though? She is still creating amazing content.

Case in point, after talking about touring with Prine and reminiscing about them performing Angel From Montgomery together and how she can’t imagine performing it without him since his death, she tells how that history and loss inspired her to write a song with a similar story behind it. She’d heard a story about a man who showed up on a woman’s doorstep years after she lost her son in an accident…to thank her for the gift of life her son’s heart gave him.

Being an emotional sap is another good reason to go to these types of shows alone.

A few songs later, she performed Angel From Montgomery, and I think everyone was crying when she hugged her guitar to her like it was her lost, dear friend.

Starting the encore

Like I said, I beat feet at the encore, but didn’t miss anything but a 45 minute wait to exit the lot in doing so. Hearing her voice through the trees in the night air of a perfect PNW summer evening while idling in a grass field? It gave me time to think about what I take for granted: the future. Not for granted, so much, more something I look forward to with a sense of dread or contempt.

But this coming-up-on-73 year old and her 83 year old touring companion showed me that people can continue to give to the world around them well into the years of life when others have left their careers. And my Generation Jones aged drinking buddy is giving me an example on how to live life as a single-person without waiting for someone to live it with to enable it – and without caring what others think of my solo-status.

I am kind of happy about my reluctance to return to larger venues for this reason, too. Fringe benefit of going solo to smaller venues alone? I stand out as alone easier in a smaller setting. Hey, if I’m going it alone, I want credit for the finger I’m giving my failure at achieving an enduring relationship. Can’t get that in a crowd!

All of this is by way of telling you that on my fifth attempt at winning tickets in the Flashback Friday offerings yesterday, I succeeded!

Jessla would point out the time was a triple number as an indicator of this luck

You’ll notice it took 22 attempts – versus the weeks of effort that came before yesterday – but someone finally answered the phone! A few minutes later, I was the proud owner of a pair of tickets to the upcoming Shins show at Pioneer Courthouse Square and could not have been happier. Until a few minutes later when the texts started rolling in…

The year of free music rocks on, friends!

The Year of FREE Music

I’m Tired of Always Running

Dark title, eh?

Worry not.

I promise, it refers only to an earlier post I was working on that I accidentally discarded instead of saving. Apparently, that means something else in WordPress-land than deleting. There’s articles dedicated to recovering deleted posts on their FAQ page – which boils down to “go into the trash tab and hit ‘restore’”, however, nothing on recovering something you accidentally discard versus save.

And why are those two buttons so damn close, anyway?!?

Anyway, that post was depressing, hence this post’s title.

Well, that and the subject matter.

I recently heard an interesting factoid about how much Kate Bush has earned off of streaming royalties since her 1986 hit Running Up That Hill was featured on s5/ep1 – or is it season 4? Can you tell I’m not watching?

In two months she has earned $2.3 million off of streaming royalties. For that song alone.

Ok, let’s set aside that that is probably more than she earned in a year during her heyday and focus on the reality that her most recent 60 days’ earnings is only for streaming royalties! It does not include actual sales or what Netflix paid her for the usage rights originally.

And I couldn’t be happier for her. I think it sets an example of what talent and fame are for a new generation. Or two. Generations who are increasingly conflating talent and fame with pervasiveness and infamous.

Which reminds me of a conversation from earlier about an invasive species of snails, but that’s a different hill.

I’ve been on Kate’s hill in some way, shape or form for about three years now since Meg Myers released a cover in ’19. I thought at the time that it was an impressive homage, staying true to the original – and I loved that about it. Hearing the original now – when the remake had barely faded from my local station’s rotation reinforces that faithfulness and also the reality that it was still just a copy.

I love that the world has lost its mind for this song like a certain college-aged person I used to know. Although, not everyone agrees…

From a chat with a Gen Z musician on Social Media…

I love that this song is number 1 in 2022, eclipsing its number 3 performance in 1986.

I love that Meg Myers didn’t just pay homage to the original by staying true to it in her remake, but also that she and Kate Bush look like they could be related. And that their photographers clearly studied with the same professors…

Kate.
Meg.

Maybe that’s just me.

But after the massive step(s) back our country has taken in the last 10 days from 2022 to 1972 or 1950 or 1868…maybe there’s hope of at least dragging us back to the late 80s. Because reading the news anymore makes me yearn for a life that modern-thinking.

I want my MTV.

At a minimum.

I’m Tired of Always Running

cRapture

I keep proChristinating this post, thinking it will become a moot point once this leaves my consciousness. But this song is either in heavy rotation on my local station or I’m simply attenuated to it.

Perhaps finally writing this ridiculous post will jar it loose.

Plus, I’ve kinda been on a Chris’ Musical Musings World Tour lately, so…why not? Add to that I’m getting a little I.V. anesthesia soon and I assume you’ll see my moderate urgency in finally completing this. Maybe.

When was the last time you heard the song Rapture by Blondie? Better yet, when was the last time you listened to it?

High School?

College?

Ask yourself this, were we listening to it or hearing it? Because, I gotta tell ya…hearing it is one completely enjoyable bop. Listening to it however made me wonder if this is suddenly the first time in my life I’ve not been…impaired while hearing it.

Witness:

Fair enough beginning, right? Until the shopping part, you could fairly assume it’s a song about dancing. That spine themed stanza or verse is particularly evocative of dance.

Then this…possibly the first breakdown – that’s what rapping used to be called, kids – in musical history by a white woman. Arguably one of the best – although reading said breakdown may cause fresh arguments on that topic.

Were we collectively high when we were grooving to this? No? Just stupid?

Fair enough.

Who knew Subaru was a plural form of itself? Also, RIP: Mercury Motors. Clearly they didn’t get the celebrity spokesperson memo…

But that breakdown just keeps going. Like it’s finished digging its absurdity hole and decides to pull the dirt in after itself.

Ate all the cars. Switched to bars, but not bars with TVs playing and then went on a guitar diet.

What the heck?

I cannot decide if I need to just admit to myself I was a stupid kid when it came to lyrics like these or if I should fabricate a backstory that includes a little stay at this little place I know of in the desert. That would be a good cover…

cRapture

Toxic Positivity

Yup. This is a thing now. If you’re curious as to what falls into The New Negative

What I’ve highlighted above will be important in a minute. But lemme be straight, even though I call it The New Negative, I understand the message. Loathe am I to quote our country’s Worst Lady – er, First Lady – but the message of her Be Best campaign and this Dallas Yogi are eerily similar.

Well, they are the same, at least in spirit. Until five posts later, my Instagram Yogi posted this

I mean, come on.

But, lest you think I’m going easier on a yogi versus a de facto hypocrite…I have said nothing to either about how their action made me feel.

I sat still and sipped my coffee and thought about the message while Sheryl Crow played at the cafe.

Be Best is a simple idea, with entirely unsurprisingly vague follow up. Maybe the meat of that campaign is the examples the Worst Couple – darn, did it again! – set for us as a bar to be better than.

But when you give a behavior a name, you set a different and specific bar. Something to focus upon to indeed, become better. In that regard, I like this Toxic Positivity thing.

If recent events and years have taught me anything, it’s that self improvement is a journey, not necessarily a fixed destination. Which is why I actually liked that one of my sources of motivation made such a basic error.

It proves that we are moving together on this journey, helping each other up along the way when we stumble. I think it’s too easy to assume that someone is at the finish line encouraging us to join them, but that finish line keeps moving.

As a former runner and current misanthrope, I don’t need to tell you that I prefer solo sports. One of the things I enjoyed doing on a run was talking myself into mini-goals.

Run to that next tree.

Pass that runner a block ahead of you.

Make it across this intersection before that car hits you.

That was fun, it got me there. But sometimes that runner I passed would turn right around and pass me back.

Guess what?

That could be a real “wah-wah!” moment, but instead of being de-motivated, I would just tell myself

Welp, now you’ve gotta pass that person again…

Even though this was usually my motivator

Anyway, I’m not posting today, am I? It’s not a weekend and I gotta work on other writing stuff. So I better wrap this up. Here’s what I’ll leave you with:

Sometimes these movements have consequences that reach across time. I hope this isn’t one of them.

Hollywood without Kevin Spacey and Jeffrey Tambor makes me sad.

There, I said it.

That doesn’t mean that I don’t think they should be held accountable for possible crimes or inappropriate actions. Joaquin Phoenix seems to be doing ok…why is that fair?

Congress working without Al Franken while our President presides unpresidentially every day seems like a gross incongruency.

But I hope in both cases we have learned that due process is one thing and Buzzfeed justice is another.

I am completely over woke. It went from a catchphrase to a…well, this

way too easily. And fairly unchecked, if you ask me.

From a woke culture to a bunch of thugs with microphones and twitchy trigger fingers. And this bothers me in regards to Toxic Positivity because while I’m writing this, If It Makes You Happy by Ms Crow comes on

…and that’s some Toxic Positivity, right there, y’all.

But I want to hear it.

Toxic Positivity

Going Their Own Way…

Several months back, Big Word Ben gifted me a much belated birthday present: tickets to the 2018 Fleetwood Mac tour.
Not a bad gift, right?

There was much scandal and speculation about this tour, dubbed An Evening With Fleetwood Mac, after it was announced that Lindsey Buckingham would not be touring with them. Point in fact, the rumor mill – oops, rumours mill – was reporting that he had been fired from the group.

Again.

The rumor ripples of this announcement were fast and choppy. Buckingham is their male vocalist as well as lead guitarist. The last time I had seen Fleetwood Mac he had easily done over half of the vocal heavy lifting.

Christine McVie had just returned from about 15 years of retirement – at 71! – for the last tour and was easing her way into the band’s routine last time around, so it’s not like they aren’t used to changing up the batting order for their shows.

Still, as the “young one” in the band – he and Stevie were ~66 last time the group came through Portland – he had been the real mover and shaker on stage. Stevie did her trademark twirls, but for the most part, her dancing was in place, usually with her feet planted and just consisted of some pretty wild upper body gyrations. Lindsey, on the other hand, had been out to make a point. Jumping around stage like a flea and spinning, squatting, kicking with a true frenzy. It was kind of annoying since it looked like he was showing off to some degree, but also made the show a real visual presentation.
So, what’s it going to be like in 2018? Lindsey and Stevie are both 70, Lindsay isn’t coming, Christine is 75, John and Mick are sitting pretty in the shadows at the back of the stage, as usual. Well, except for Mick’s crazy audience shout-back solo at the midway point. For the record, that was and is still a pretty amazing part of the show.

Filling the bill and rounding out the band, it was announced that Mike Campbell from Tom Petty and the Heartbreakers and Neil Finn from Crowded House/The Finn Brothers/Split Enz would be taking on the guitar work and male vocals.I was left quite curious whether this would still be a really heavy male vocals show, though. Newcomers notwithstanding, the band ended up leaning on Christine for what I would call about half of the vocal numbers in the Portland show. Now, there’s a reason she was not the primary vocalist in the band in the first place – but as much as I’ve always loved her one or two numbers on each album and even her solo work – at 75, you could tell her voice was getting tired during the two hour show.

But keep in mind, that’s about half the singing in a two hour show…down from a three hour production with Lindsey.

I was ok with the shortened show, because I’m older, too. A three hour show starting at 8 PM makes me tired just thinking about it.

Plus, as it turns out, in addition to Christine leading the vocals charge, the band also chose to steer fairly clear of the Buckingham library. For the most part. Neil did some great lead solo numbers as well as sharing some duets with each of the ladies.The show ended up being a walk way down Memory Lane, for the most part, though, with a great deal of what I would call deep tracks from the Peter Green era of the band.
I was fairly impressed with the band’s effort to acknowledge the stand ins for Lindsey throughout the show, too. It wasn’t just a “hey, here’s these guys” type of situation. After Mick’s World Turning drum solo at halftime, he came to the front of the stage and talked about the next number. It was a song, he said, “that he heard at a time he needed to hear it”, which was an interesting turn of phrase. I was pretty surprised when he went on to introduce Neil to sing Don’t Dream It’s Over, arguably Crowded House’s biggest hit. It was actually a highlight in the show for me as an audience member and as a HUGE Crowded House fan.Big Word Ben seemed to know about this number in advance and warned me, “Just wait until the halfway point”, which I didn’t fully understand until Stevie wandered out onto the stage toward the end of the song and joined in.
It was exciting. Hearing these two voices working together to recreate something I was so familiar with. Until Stevie basically fell off the stage trying to keep up with Neil. He’s only ten years her junior, but it demonstrates the truth behind the old adage about teaching and old dog new tricks. After the number, she kind of joked about her effort, but it was just super unclear whether she forgot the words or if she just got lost.

Here, have a little levity that I found in my Google suggestions while digging around for pics and info for this entry:

My answer to that question:

Attempting this number.

But I am still one to give an E for effort, so I was ultimately happy that they had at least tried to integrate the newcomers.

The back half of the show included a bit more visibility overall for Stevie, so it was good that she had an opportunity to redeem herself after the Crowded House number. Again, though…at 70, she’s not so much the twirling hippy girl she once was. You could tell that her dancing was more an exercise in remaining upright versus it’s former lost in the moment self. The same was evident with Christine when she left her keyboard and came forward for some maracas work during a solo number of hers. Both were very stiff hipped in their movements, which I noted, before immediately reminding myself of how I must look when I get off the couch to pee during a Netflix binge. Yeah, “Shut up, Me”. Both get high marks from me for just showing up, that’s for sure!

We got to the end of the show, with the band being led off the darkened stage by stagehands with flashlights…gotta be careful to not trip on a wire going across the equipment-packed stage. Hips are expensive!

People immediately started leaving as soon as the lights dimmed. Big Word Ben indicated that he didn’t think there was an encore, either, by way of explanation. It’s rare to see that many people take off after a curtain call. Usually it’s just the competitive drivers or people who have to work super early. This audience was moving. We were soon the only people in our immediate area. We chatted briefly about the show. How the set list was so different without Lindsey, but both still glad to have added another notch to our Fleetwood Mac Concert Belts. Mine is nowhere near as long as his, but he’s got a few years on Neil, so I chalk it up to him just having more opportunities.

All that said, I certainly didn’t feel robbed when the lights came back up and the group returned to the stage. Quite honestly, when Freefalling started, I felt like the show was just made. What a perfect way to ice this cake. Stevie nailed a rendition of one of Mike’s former bandleader’s biggest hits while a slide show played behind the band. It showed lots of concert pics of Petty, who had died just over a year earlier at only 66. It was also a very poignant reminder of the connection between the two bands. Mike Campbell joining for this tour was the top of mind connection for most, but then there was the Leather and Lace duet between Petty and Stevie, too. The picture show behind the stage reminded us all of just how much history there was with Stevie and Petty touring together over the years. I think most of the people left in the arena ended up pretty choked up by the end of the song.

At the end of the show, we were left with quite a different Fleetwood Mac experience. We were able to get a good debriefing in during the walk down to Old Town, were BWB had parked. Old Town is just a hop, skip and river from the Rose Quarter and at 10-ish at night a 15 minute walk over the bridge versus waiting to exit a parking garage for who knows how long or even waiting to board what were overflowing MAX train cars for a one-stop ride over the bridge. We talked about everything I discussed above and both agreed that different or not, it was still easily worth going.

The one thing that surprised us both? The show was billed as starting at 8 on the tickets, 8:15 on the Rose Quarter website and by golly, that show started just as we found our section at 8:15!

A rock band starting on time? Yeah, these guys are getting to a point where bedtime is important. But they still deliver a show worth seeing!

Going Their Own Way…

Sleep Deprived Thoughts…

Billy Joel has been creeping into my Pandora cycle more and more frequently. Never a bad thing, really.

That said, I woke up at 5 the other morning and resigned myself to remaining conscious, I popped on my Sonos and there he was. My groggy brain had some input as the song played out.

Myrt was stretched out, purring between my crossed legs, so I just started blabbing to her. Color commentating on the song as it went along.

Now, Bill is a real estate novelist

What the hell is that?

Does real estate need to be novelized? You might be able to stretch a novella out of it, but I’m pretty sure the main real estate collateral consists of fliers and pamphlets.

Who never had time for a wife.

Likely story.

And he’s talking to Davey

Oh?

Who’s still in the Navy

Oh?

And probably will be for life.

Myrtle, Bill and Davey are gay.

GAY!

Myrtle gives me a look that suggests I need better hobbies. Or at least hobbies that are less disturbing.

That Billy Joel, man. What a storyteller, eh, Myrt.

<slow blink>

Sleep Deprived Thoughts…

Friday Morning Dance Party

I’m not sure what’s gotten into me this morning, but when I woke up, instead of flipping on the tube, I put on some music. Nothing special, I use Pandora and I’ve been letting the Thumbprint Radio do the heavy lifting for me instead of selecting a specific artist station. I really am enjoying that feature. So I’ve had random great music playing throughout the house as I wander from room to room.

Queen and solo Freddie Mercury

Cranberries and solo Delores O’Reardon

Cowboy Junkies

Genesis and – you guessed it – Phil Collins. Still waiting on some Peter Gabriel

Katy Perry

Sting…but no Police

The Outfield!

Pandora had to dig pretty deep into my musical tastes for that last one…

But all this goodness vibing around my little slice of Portland has had me shaking my groove thing as I’ve puttered through my morning.

While I was making breakfast – oatmeal, I swear – I was dancing in place in front of the stove.

Folding laundry at the counter.

Turning my towel into a dancing prop after my shower.

It’s all made me feel good.

Then I look up after reaching down to dry my legs and see this

She’s so judge-y.

I still laughed. Let her judge. Realistically, she’s probably thinking, “I can’t believe this idiot is who I rely upon for food and water…”

Friday Morning Dance Party